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Writing & Editing... .*• '♫ ☿


“Thinking History and Trans-Temporally: A Conversation on the Sharjah Biennial”
Arts Journal Open, 2023. Roundtable interview with Marìa Magdalena Campos-Pons, co-authored with de Appel CP 2023.

“Sull’acqua / By Water”
Dutch Art Institute, 2023. Curatorial essay for Island Thinking / L'isola che pensa Film Festival.

“Ragini Bhow: 444”
 Tiger Strikes Asteroid (New York), 2023. Exhibition essay for artist’s solo exhibition.

Tamar Ettun: Texts From Lilit
Self-published, 2022. Created in conjunction with the curatorial project, Tamar Ettun: How To Trap A Demon (2022) presented by Richard and Dolly Maass Gallery. Edited by Meghana Karnik and designed by Nicoline Franziska.



“MONEY METAPHYSIC$”
Cue Art Foundation, 2022. Catalogue essay for Money Has No Smell, curated by ACOMPI. Supported by CUE Foundation’s Art Critic Mentorship Program.


“‘Imagine Otherwise’ Shifts the Paradigm of Black Representation” 
Frieze, 2021. Online review edited by Terrence Trouillot and written with Claire Voon.


“Foreword,” Temporary Island 
EFA Project Space, 2019. Risographed color publication edited by Dylan Gauthier and designed by Partner & Partners. 


“No citations, no references,” Writing Bodies
2018. Book edited by Litia Perta and designed by Shauna Steinbach.


“Introduction,” A Wicked Problem. EFA Project Space, 2014. Broadsheet edited by Claire Barliant and designed by Kloepfer-Ramsey-Kwon. 


“A Hospital's Contemporary Art Collection: Effects on Patient Mood, Stress, Comfort, and Expectations”
Health Environments Research & Design Journal, 2014. Peer-reviewed study written with Bellamy Printz & Jennifer Finkel for Cleveland Clinic Arts & Medicine Institute.

  PRESS
Mark