Writing & Editing...

“Thinking History and Trans-Temporally: A Conversation on the Sharjah Biennial,”Arts Journal Open (2023). Roundtable interview with Marìa Magdalena Campos-Pons, co-authored with de Appel CP 2023. Photo: Eugene Hannah Park.

“Sull’acqua / By Water,” Dutch Art Institute (2023). Curatorial essay for Island Thinking / L'isola che pensa Film Festival. Film still: Manthia Diawara, Édouard Glissant: One World in Relation, 2009.

“Ragini Bhow: 444,” Tiger Strikes Asteroid New York (2023). Exhibition essay for artist’s solo exhibition. Photo: Daniel Johnson.

Tamar Ettun: Texts From Lilit (2022). Created by Tamar Ettun for the exhibition, Tamar Ettun: How To Trap A Demon (2022) presented by Richard and Dolly Maass Gallery. Editor & Contributor: Meghana Karnik. Design: Nicoline Franziska. Photos: Yann Chashanovski.

“MONEY METAPHYSIC$,” Cue Art Foundation (2022). Catalogue essay for Money Has No Smell, curated by ACOMPI. Supported by CUE Foundation’s Art Critic Mentorship Program. Photo: Ignacio Gatica.

“‘Imagine Otherwise’ Shifts the Paradigm of Black Representation,” Frieze (2021). Online review edited by Terrence Trouillot and written with Claire Voon. Photo: Amber N. Ford, Strands, Tracks & Naps, 2021. Field Studio.

“Foreword,” Temporary Island,” EFA Project Space (2019). Risographed color publication edited by Dylan Gauthier and designed by Partner & Partners. Photo: Matt Vicari.

“No citations, no references,” Writing Bodies, (2018). Book edited by Litia Perta and designed by Shauna Steinbach. Image: Litia Perta.

“Introduction,” A Wicked Problem, EFA Project Space (2014). Broadsheet edited by Claire Barliant. Image: Kloepfer-Ramsey-Kwon.

“A Hospital's Contemporary Art Collection: Effects on Patient Mood, Stress, Comfort, and Expectations,” Health Environments Research & Design Journal (2014). Peer-reviewed study written with Bellamy Printz & Jennifer Finkel for Cleveland Clinic Art Program. Image: Iñigo Manglano-Ovalle's BlueBerg (r11i01) on Main Campus2007.